Dickinson and Her religion :: essays research papers fc

Dickinson and her ReligionEmily Dickinson was one of the greatest woman poets. She left us with numerous works that show us her secluded world. Like other(a) major artists of nineteenth-century American introspection such as Emerson, Thoreau, and Melville, Dickinson makes poetic use of her vacillations between doubt and faith. The style of her first efforts was fairly conventional, but after long time of practice she began to give room for experiments. Often written in the meter of hymns, her poems dealt not only with issues of death, faith and immortality, but with nature, domesticity, and the power and limits of language.Dickinsons Christian rearing affected her profoundly, and her desire for a human intuitive faith motivates and enlivens her poetry. Yet what she has faith in tends to be left undefined because she assumes that it is unknowable. There are more unknown subjects in her poetry among them Death and the afterlife, God, nature, artistic and poetic inspiration, ones ow n mind, and other human beings. Dickinson was educated in a traditionally Protestant, provincial community and in a religious conservative schools and churches in Amherst and South Hadley. This affected Dickinson as a poet of religious concern, stimulating her to opposition as well as reverence. The Calvinist God she was taught to worship was an arbitrary God of absolute power. She struggles prodigiously in her writing against such an image of God, but besides invokes it normally. Emily Dickinsons imagination is dynamic partly because she thinks of her mental world as always in flux and prefers not to adhere for long to any conceive religious of philosophical doctrine. At different times she advances opposed positions on such central questions as the goodness of God, the reality of heaven, or the presence of the miraculous in nature. As a child of her culture, the fixed positions of her local Calvinism are inscribed in her mind and heart, while at the same time she distrusts them and seeks an secondary faith that will be truer to her moral conceptions. Since she takes different positions on religious questions, it has proved hard for commentators to summarize her religious perspective. At the start of her career she assembles her poems in fascicles and sets, thus giving them a separate existence as poems, while later she experiments increasingly with a style of letter writing in which the draw up between verse and prose tends to disappear, and she writes poetically wherever she wants to (Martin).